Harry Potter and the Prisoner of Azkaban [Hindi] (2004) - Dubbed
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Plot: Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after… Runtime: 142 min Release Date: 04 Jun 2004
Abstract and dark themes abound; still the most mature HP entry (by jpoulter11)
Alfonso Cuarón's masterful adaptation does the source material immeasurable justice by exploring its underlying concepts in an intelligent manner. Of course, it certainly helps that the aesthetics of the film are incredible, the acting remains stellar and the trio of young actors handle their roles admirably , and John Williams offers an amazing and eclectic score. Character development is superb - Steve Kloves penned a great script.First-time and young viewers will likely enjoy the film for its merits based on plot and 'adventure' alone, but it takes multiple viewings and a <more>
critical eye to enjoy the abstract ideas and nuances. Cuarón himself credited the source material as being laden with real-world issues: oppression, racism, loneliness, power, friendship, justice and so forth.This is the Harry Potter film that stands on its own and as a tremendous cinematic achievement. It challenges viewers and yet doesn't patronize them or attempt to offer answers to all of the questions presented. For instance, the ending is bittersweet at best and retains a healthy amount of ambiguity.If you've never read the books or understood the acclaim of the series as a whole, watch Cuarón's 'Prisoner of Azkaban' and you'll understand why this entry is clearly the zenith of the seven.
Best Film of the Series; One of the Best Films of All Time (by joshuafagan-64214)
I wish Alfonso Cuaron would come back to the franchise. I know that he probably won't, but I still hope. After all, as we float through this empty, depressing world, sometimes all we have is hope. He detached this film franchise from its safe-as-a-CIA-file roots and allowed it to grow wings and fly into a silver ether. To anyone who thinks franchise films cannot be art... check out LOTR. But once you are done, check out this film. It is both ironic and darkly appropriate that this is both the lowest grossing Harry Potter film and the one that many film critic types, such as myself, say is <more>
the greatest of the octology.The film starts off like do all Harry Potter books and most Harry Potter movies. Potter is at the house of his over-the-top, abusive, Muggle adopted family, getting tormented like he always does. Yes, I know it is explained in detail why he needs to stay with them, but such doesn't make it any less of a poor writing choice. But, when and if I do a full review of the Potter series, I'll go over those kinds of decisions. I only bring this up because it is a base line for these movies and such something I can use to show why this is the best one. In the Columbus films, it is played with a cheerful exaggeration that reminds me of many of his eighties movies. This is not a bad thing, but it is not brimming with greatness either. In the Yates films, it is downplayed as just a backdrop, a facade, if you will, to more serious matters. Cuaron manages to combine these approaches, which is expected, as both this and GOF are the 'transition movies', while adding both sophistication and a level of charged rawness, which is not expected.We get to see Harry's emotional landscape. Fragile but potent, unstable but unyielding, it is a sight to behold, one that belies the simpler character that we got in both the earlier and later movies. If Harry Potter developed along these lines, he might have actually been a great character instead of the flattest one among a crowd of interesting people.The scenes are magical, but not in the try-hard way of the first two films. Around the time that I first saw them, I declared myself a true blue of the series. I haven't looked back since. The shots are magical in a way that is both wispy and intense. This is the tone that these movies should have taken, and if they reboot them, something of I am not in favor but something that is a conceivable possibility in today's Hollywood climate, this is the tone I would like them to try to take. Just the thought of that sends chills down my spine. It might even be able to challenge LOTR for the crown of best fantasy series of all time. After that virtuoso opening, I kept waiting to be let down. I never was. Every new character introduced was interesting and every old character they excluded was not missed. The pacing is the best out of the movies; the first two were too slow and the other five were too fast. The plot was more personal to me than the other movies; this is the one movie in which Voldemort does not appear in some form or another. There is no direct end boss and so the plot has to be more creative. And so it is.Of course, more of the credit for this has to go Mrs. Rowling for writing the book on which this film was based. But the cinematography is all the work of Cuaron's team. And it is the best in the series by far. Not to say that the other movies are poorly shot; this is Britain, after all: things may be bad, but they are never badly done. But while the cinematography of the first few movies would perfectly fit a kid's fantasies, the cinematography of the fourth movie would perfectly fit a high class ball or gala, and the cinematography of the last four movies would perfectly fit a nature doc, the cinematography of this film perfectly fits the franchise. It is artful and well-done, but it is not show like an Oscarbaity period piece. The camera feels alive and coated with magic powder. It is exactly how I imagine the heartbeat of a troubled magic society to feel like. The music helps it out. If you listen to Window to the Past and are not sucked into the world Cuaron made for this film, then you just don't have a soul. It is introspective, ambient, immersive, and coated with the kind of cerebral wonder that I think makes life worth living. It is the best tune in the franchise. But do not think it is the only good tune in the movie. Buckbeak's Flight is a good second.While the characters in the series may never be willing/able to turn back time after this movie for reasons cheap and nonsensical and borderline nonexistent, I hope that you will be wiser. Come back in time with me to 2004. And let the emotional waves of this picture overtake you.
POA was by far the best of the three Harry Potter films. The actors Daniel Radcliffe, Emma Watson, and Rupert Grint have gained more confidence in their abilities. They have become more and more like the characters they play in their own life which has shown in the films.Besides the acting, the film was better shoot than the previous two: In the first film, Harry Potter and the Philosopher's Stone, the parts picked were sometimes less important than the parts left out. A great deal of the stuff from the books was cut in the other two movies, but this was not the case in this one: It <more>
appeared that there were only two scenes out of order from which they happened in the books; Harry receiving the Firebolt at the end of the film, but early in the book, and Harry's Patronus supposed to be a Stag, galloping down the Dementors, but was a dome-shaped shield in film. Other than those two inconsistencies with the books, the film was virtually flawless; the CG improved a great deal; the Dementors had nearly the same affect as they did in the books to the reader/viewer.To most fans, the best part of the movie was by far was the scene where Hermione socked Draco in the nose another very slight deviation from the books, but perfectly acceptable!
My Favorite Of The Harry Potter Films (by ccthemovieman-1)
I thought this was excellent....better than the first two Harry Potter movies combined and better than what has followed.. That's my feeling, and I'm still sticking to it.This was just great fun, right from the opening. In fact, the early bus scene is the best in the film. Overall, the movie didn't have as mean an edge to it as the others, although it has a number of scary moments which might have warranted a PG-13 rating . That was fine with me. I got tired of the dark, nasty and/or annoying characters of the first two films, and especially the irritating blonde wise-guy kid. I <more>
give this major points for cutting his role down. Even Alan Rickman's character softens.In other words, there is no despicable villain to hate throughout the film, which I thought was refreshing. Instead, we just go through one adventure after another until the final surprise ending.Along the way are a lot of fun special effects and scenery, some humor Emma Thompson is a hoot as an eccentric tea-leaf reader and some fantastic 5.1 surround sound. I wish all the Harry Potter films were like this one.
As with previous Potter films, this one is wonderful. The mischievous trio are back in their third year at Hogwarts.Potter Daniel Radcliffe is a slightly different character in this film as the anger inside of him for what happened to his parents has grown over the years. This made, for me, the film much more enjoyable than the first and second.As one would no doubt assume, Gary Oldman's portrayal of the character Sirius Black is nothing less than perfect. However, Sirius Black seams an unlikely roll for the talented Oldman. I enjoyed him more in other films, such as 'The <more>
Professional' and 'Immortal Beloved'. Let us hope he has had the chance to 'play it up' a bit more in the much anticipated 'Harry Potter and the Goblet of Fire'.The original music of John Williams is more than I could ever hope to hear. It is absolutely splendid, making the film worth a listen even if you do not watch. Williams has created memorable compositions such as the theme music to 'Star Wars', 'Jaws' and 'Raiders of the Lost Ark'.Overall, any age should enjoy this film. The visual effects are not the most spectacular I've seen, but fantastic enough to take your imagination away from the real world for 141 minutes. Even the closing credits are kind of cool.Now, go watch the film. You'll be glad you did.
The third film about the young wizard is the most controversial, for it was he who split the fans of the novels about Potter into two warring parties: conservatives and innovators.The first group of fans absolutely condemned and condemned the actions of the director Cuaron, altered "Harry Potter" in his own way. Say, they did not like the strange werewolf, all sorts of jokes-jokes, interspersed by the director in addition to the script, and in addition to all the claims they discovered the disappearance of the atmosphere of magic, because of which the popular expression of <more>
"Quaron in the furnace" was born.The second group, on the contrary, furiously began to praise Cuaron, extolling him to the unprecedented pedestal of fame, thus creating almost a cult of personality. They liked everything that only they could like in the third film.Only now it became clear that both sides are not right in their convictions. So it should be, movies must be different in essence. The error crept in from the very beginning: Chris Columbus took the first two films, and this put the old debate on what kind of movies Harry Potter should be about. Columbus did not have to give the right to shoot two films, and one would suffice. Spectators are used to the atmosphere of the first two films, because most of the audience took the innovative approach of Quaron to the screen version of the third novel with bayonets. Now the producers make a mistake again - they give the right to shoot two films The Order of the Phoenix and The Half-Blood Prince to the new director David Yates. This should not be done in any case. It is necessary to preserve the diversity of director's visions. Hogwarts is not accidentally depicted in different ways in films, like Hogsmeade. Everything in novels is seen differently every time, because all the reader and viewer sees through the eyes of Harry Potter, and in films through the prism of the director's vision, the viewer must perceive the magical world through the eyes of a young wizard. Alfonso Cuaron still hit the spot with his timely vision of the plot of "The Prisoner of Azkaban."He created a sparkling tragicomedy for the growing up of a young wizard.In general, Cuaron's film reminds me of our old Soviet films. For the reason that the whole film can be easily taken away on the shots, quotes, fragments, heroes, soundtracks, etc., etc. Despite everything, this film is much kinder than the previous two, differing in their gloomy Gothic style. It's more fun, crazy, and it should be, because it's Sirius Black himself on the scene!For the whole of Rowling's novel, like the film of Quaron, is a tribute to the memory of the crazy, hooliganistic and such lonely Sirius Black ... Black, whose heart is beating violently, hot blood flows in his veins, and in the soul is truly dog devotion. The third film, as well as the film, is dedicated to the looters - James Potter Harry Potter , Peter Pettigrew, Rimus Lupine and Sirius Black - a group of friends who used to be friends a long time ago ...The film ruthlessly shows how easy it is to lose friendship and how difficult it is to acquire a friend ...Thanks to Alfonso Cuaron, who did a talented work, showing in one stroke all the huge gallery of the characters of the magical world and their essence: the Minister of Magic plunges into a puddle; the soothsayer with big glasses on her nose stumbles on her own table; The evil teacher Severus Snape closes the children from the werewolf; eccentric Dumbledore slams his hand over Ron's gnarled leg; Remus Lupine, at the lesson, takes a snack with an apple; portraits of Hogwarts, it turns out, also like to sleep; Stan Shanpike with his brave words is not very strong in dragging student suitcases; Hagrid and ties are incompatible things; Tom from the Leaky Cauldron has a nehyl auto; Ernie, wearing spectacles with large lenses, is led by the "Night Knight"; Sirius Black finally began to talk moral nonsense ... Also it is necessary to thank the new actors, so successfully merged into the old line-up:Emma Thompson Sibyl Trelawney ; Michael Gambon Albus Dumbledore ; David Thulis Remus Lupine ; Julie Christie Madame Rosmerta ; Gary Oldman Sirius Black ; Timothy Spall Peter Pettigrew and many others. By the way, if my memory does not change me, then the two actors from the third film cleaning woman in the bar "Leaky Cauldron" and Aunt Marge Quaron quietly consigned to his other project - "Child of Man", but that's another story ...Let me love the fourth film about Harry Potter director - Mike Newell , but I always revise the Curaron part - it is the brightest of all existing.In a word, long live Rowling and Cuaron!"Potter, come back!" Severus Snape, potions teacher .
The best of the Harry Potter films so far (by colettesplace)
This third Harry Potter film is the best one yet. Director Alphonso Cuaron Y Tu Mama Tambien, A Little Princess has taken over from Chris Columbus and has stuck less slavishly to the original JK Rowling Books.Daniel Radcliffe, Rupert Grint and Emma Watson are back as Harry, Ron and Hermoine, with Hermoine in particular getting to do a lot more. There are less Quidditch matches, and more menace, in keeping with the improved complexity of Rowling's third novel. Hogwarts is not safe, Draco Malfoy is no longer a menace, but just a pain in the ass. And the new CGI-scripted character Buckbeak <more>
the Hippogriff half eagle, half horse looks fantastic and has personality.The kids are all supposed to be thirteen but look older - hey we'll forgive them. Neville Longbottom has lost so much weight he's almost unrecognisable.Great performances from Emma Thompson hamming it up as the ditsy professor of foretelling, Prof Trelawny, Michael Gambon as the new Professor Dumbledore not as magical but good , David Thewliss as Prof Lupin, and Gary Oldman as the Prisoner of Azkhaban.Thrilling, complex, menacing, ****/***** stars.
Harry Potter is growing up! The voice is deepening, the shoulders are broadening and...hurray! You no longer feel like a creep for having a little crush on Daniel Radcliffe...whoops, did I say that out loud? Say what you will, I see him making the jump from child star to adult actor in a way that Haley Joel Osment only dreams of.Appropriately, this third film in the Harry Potter series has matured along with it's young stars. At first glance the storyline itself is relatively simple - Sirius Black has escaped from Azkaban Prison and young Harry is on his hit list. But the reality is that <more>
this movie is about being a teenager and all the trials and tribulations that go with it. On one level, Harry is like any other kid at school - he puts up with torment from bullies, gets into scrapes with his teachers and hangs out with his friends. But this is not just any school. This is Hogwarts School of Witchcraft and Wizardry, and Harry has a whole OTHER set of problems. Like an escaped madman who may just want to kill him, for example.The plot contains the requisite amounts of twists and turns. The focus is on Harry's past - Sirius Black was his godfather but just may have been in league with he who's name cannot be mentioned. There is the usual game of 'are they or aren't they?' when it comes to deciding which characters are really the baddies. Alan Rickman continues to walk the finest of lines between good and bad with his marvelous performance as Professor Snape. Has there ever been a better match of actor and character? Snape shows again that, while he may take occasional delight in making his students' lives difficult, he does have their best interests at heart - like any good teacher. Other plot quirks worked well - I enjoyed the way the time travel angle was worked in and the map showing the location of everyone in Hogwarts was a delight.Visually, this is a much darker film and it is a sumptuous treat for the eyes. There is so much incredible detail in the sets that it's impossible to absorb it all in one sitting. All the staples from the other films are there - the paintings talk, the staircases move, ghosts roam the halls - watch out for the knights on horseback crashing through windows! The special effects are all top notch. A word of caution for any parents - there are some genuine scares here. The Dementors are particularly nasty, and I would certainly think twice about letting very young children watch this film. This is without even considering it's running time - two and a half hours - which is a very long time to expect some children to sit still.One of the most impressive things about this film is the way that the young cast are more sure of themselves. As Hermione, Emma Watson grated in the first film with her occasional woodenness. Pleasingly, she has grown into herself as an actor and her performance here is much more mature. A leading lady of the future, perhaps? Hermione is growing up and is tired of being taken for an irritating goody-two shoes know it all. Rupert Grint provides comic relief and Daniel Radcliffe gives an outstanding performance, considering the whole film rests on his shoulders. Harry is the hero - the audience needs to identify with him. By the end of this film teenage girls will want to take him home to mother, while their mothers will just want to take him home and adopt him!New cast members acquit themselves well. The role of Sirius Black was tailor made for Gary Oldman - he has a requisite creepiness with just a dose of humanity to bring the character to life. Daniel Thewlis is good as Professor Lupin, the new Defense Against the Dark Arts master who takes Harry under his wing. Emma Thompson is amusing as a Divinination professor with bad eyesight. She can see into the future but can't tell which students are falling asleep in her class! Many have criticised Michael Gambon's performance as Dumbledore. While it's true that he is no Richard Harris, I personally was pleased that he didn't attempt to imitate his predecessor. Gambon is accomplished enough a performer to stay true to the character while at the same time putting his own stamp on it.Take away the magic and monsters, and what you have is a coming of age movie. Harry is forced to grow up and confront both his past and his future, and come to terms with the reality that he is no ordinary wizard. With the spectra of 'you know who' continuing to loom on the horizon, roll on film four!
Finally, a movie that captures the books' magic (by kylopod)
If there's anything this movie proves, it is the difficulty in separating the series from the demands of fans. This is clear just from hearing some of the comments. "Why didn't they identify the names on the Marauder's Map?" "Why wasn't the second Quidditch game shown?" "Why wasn't there more of Crookshanks the Cat?" By focusing on what the film didn't have, fans fail to look at the film on its own terms. I think this is by far the best Harry Potter movie yet.The only way to satisfy fans would be to include everything from the book, which <more>
would require a miniseries. Since that isn't what these films are, the story has to be abridged. The first two films tried to fit everything they could within a reasonable slot of time. The result was a set of films that felt cluttered yet incomplete. Had they continued with this strategy for this movie, based on a much longer book, it would surely have been over three hours long.The virtue of the latest film is that it makes a real attempt to adapt the story, not just marching in lockstep with the book's events. The screenplay is sparing, leaving out or simplifying loads of details not directly relevant to the plot. But it captures much of the book's delight and humor. The first two films fell short in this regard, because they lacked the guts to tinker with the details, even though that was the key to condensing the story while staying true to its spirit.The movie is still faithful to the book, of course. Many of the scenes are exactly as I had imagined them. When it deviates, it does so based on an understanding of the story and characters. This is evident in the way they show, for example, the Knight Bus; Hermione's overstuffed schedule; and the introduction of the Marauder's Map, a scene that captures the twins' mischievous personalities. The changes are clever and funny, and they help compensate for the movie's loss in other areas.Certainly this has something to do with the new director. Columbus's approach was to stick to the books as literally as possible, often draining them of their subtlety. For instance, where the books only hint that Dumbledore can see through the invisibility cloak, the earlier movies make it unmistakable. The new director never condescends to the audience in that way. This is a children's movie, but it is also a fantasy-thriller that we can take seriously, because not everything is spelled out for us. We're given a chance to think.But part of what makes the movie work is the book itself. The story is gripping from start to finish, because the threat looming over the school is established early on. Harry's personal life is sharply intertwined with the plot. We feel for him as we watch his disastrous but hilarious attempts to escape his uncle and aunt, and his humiliating reaction to the dementors. The story avoids common devices such as the talking killer or deus ex machina, which the other books have in abundance. The ending is nicely bittersweet and ambiguous. The plot is so complicated, however, that the book spends several chapters explaining it all. The movie wisely includes only very little of this, allowing the plot twists to become understood as the story progresses. I was surprised to see certain events that were in the movie but not the book lend support to an important theory some fans have had about what is to be revealed at the end of the series. Of course, it is well-hidden and won't give anything away for those who aren't looking for the clues.I was so satisfied with the film that it almost seems trivial to mention the flaws, but there are some. The portrayal of Fudge's assistant as the standard hunchbacked dimwit is out of place here, as it would be in anything other than a cartoon or spoof. The most serious misstep, though, is the casting of Michael Gambon as Dumbledore. Gambon's face seems frozen in a perpetual nonexpression, and his voice lacks resonance. He compares poorly to the late Richard Harris, whose line readings had gravity, and who played the character with a twinkle in his eyes. It is a pure mystery to me why this actor was chosen as a replacement, especially considering the fine performances from other members of the cast. Even the children are in top form here.Those complaints aside, this is the movie I was hoping they would make when the series began. If it doesn't live up to the book, so what? What's important is that it lives up to its potential as a movie. Fans who want a carbon-copy of the book are looking in the wrong place, because they're never going to get it here. This is probably the best example of a Harry Potter movie that we're ever likely to see.