Slumdog Millionaire [Hindi](in Bollywood Movies) Slumdog Millionaire [Hindi] (2008) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Slumdog Millionaire [Hindi] on your mobile, tablets and ipads
Plot: The story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India's "Kaun Banega Crorepati?" (2000) (Who Wants To Be A Millionaire?) But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show's questions. Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really doing on the game show? When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out. At the heart of its storytelling lies the question of how anyone comes to know the things they know about life and love. Runtime: 120 mins Release Date: 22 Jan 2008
One of the best cinema offered in 2008 (by aharmas)
Danny Boyle has come up with some interesting cinema, certainly defining himself as someone above average. What he achieves in "Slumdog Millionaire" is transcend the line between inspiration and a miracle, awakening an emotional connection to the very special element great cinema can deliver. The packages might have changed, and the contents are more controversial and maybe a bit more tied to reality, certainly taking us to an exotic local, teaching us that our world extends beyond our freeway and limited perception of how more than the other half of the world's population has <more>
to deal without certainly preaching to us.The tale of two brothers' lives is told to us through episodic flashbacks tied to an episode of India's "Who Wants to be a millionaire?". At first, the story introduces one of the brothers as being the subject of a very strong interrogation to find out whether he is being truthful about some knowledge that might be relevant to the game. As he answers the questions, we discover that this young man's life story might be more interesting than we originally expected.There is an element of freshness in the way the story is presented, as we accompany Jamal through his life odyssey from a young child in the slums to a man who is determined to save those he loves. There are some strong emotions in the film, and Boyle's direction keeps the film dynamic and engaging.Prepare yourself to be overtaken by emotions as varied as joy, pity, happiness, anger, revulsion, surprise, and an exhilarating conclusion rarely seen in movies anymore. This film has made me grateful to be alive and that we still have people in cinema like Boyle who understands the power and beauty of the medium. He knows that the perfect mix of a great story and the respective imagery can provoke unforgettable memories in its audience.
I just saw this at the Savannah Film Festival on Friday October 31st, 2008 , held by the Savannah College Of Art and Design SCAD and as soon as the credits started rolling for this movie the first word that came out of my mouth was "WOW!!!" This movie is easily one of the best of 2008, I honestly don't know how the people have given this movie a average rating of 7 here on IMDb. This movie is the heart wrenching tale of a person who has everything he ever loved taken away from him, only to try with everything that he has to regain his true love and gain more than he could <more>
ever hope. It is preformed and put together in such a way that it forgets and bypasses every love story cliché. The movie starts out a little confusing but is very quickly sorted out and understood. Danny Boyle has made a film that inspires and encourages people of all ages.To summarize the deep and perfectly delivered message of this movie; you don't have to be a genius to know the answers in life, sometimes life is just written whether you call it fate or destiny . This movie I'm sure will find its place amongst the great love movie's like "The Princess Bride", "Casablanca", and "Titanic". Some people I know have problems over the fact that this movie takes place in India, but if you just for one moment let go of that and watch this movie you will instantly find out just how amazing this movie is.Even though I am writing this review now in November, I hope that you will read this review when the film comes out officially in January and go out and see it. BECAUSE WHETHER YOU GO INTO THAT THEATER ALONE; WITHOUT A GIRLFRIEND OR NOT, YOU WILL WALK OUT OF THAT THEATER INSPIRED, ENCOURAGED, HOPEFUL, BUT MOST OF ALL IN LOVE WITH THIS FILM.For my closing statement I need to mention that recently this film got an undeserving "R" rating, but this is one movie you should not be ashamed to have your parents take you to see. And is the perfect movie to take a loved one to.
A stunning achievement: The best film of the year and one of the most exhilarating film-going experiences (by anhedonia)
I won't see a better, more exhilarating movie this year than Danny Boyle's "Slumdog Millionaire." If Academy voters have any sense, they will nominate this for Best Picture and Best Director and then vote overwhelmingly for it for both awards.Boyle has taken what is essentially a story about a young man on India's version of "Who Wants to Be a Millionaire?" and transformed it into a gritty, realistic, powerful and, at times, gut-wrenching fairy tale. It's a Dickensian picture about a world rarely, if ever, seen in mainstream movies, a film that grabs us <more>
from the opening frame and doesn't let go until the credits roll at the end.This is why I love movies. Films like "Slumdog Millionaire" are rare. They are things of beauty, works of art that make me fall in love with movies all over again. Boyle has done it twice. First with "Millions" 2004 , which also, coincidentally, was about a young boy and money; and now with "Slumdog Millionaire." This is Boyle's masterpiece - a stunningly original piece of film-making.Every once in a while there is a sleeper film, usually an independent movie, that comes along, takes everyone by surprise, then gets terrific word of mouth and becomes a huge success. "My Big Fat Greek Wedding" 2002 , "Little Miss Sunshine" 2006 - though I did not care much for it - and "Juno" 2007 are such films. But, frankly, those films can't hold a candle to "Slumdog Millionaire."What might surprise many viewers is that a third of the dialogue is in Hindi. And Boyle's placement of subtitles on the screen makes such good sense! Please do not let that dissuade you from seeing this marvelous film. Do not let the R rating prevent you, either. What was the MPAA thinking? Honestly! There are far more offensive, vulgar and violent movies that are rated PG-13. "Slumdog Millionaire" should never have received an R rating. This film should be mandatory viewing for young people, especially those in industrialized nations. Simon Beaufoy's script was originally entirely in English, but Boyle's decision to have the Indian kids speak in Hindi, instead, is the right call. Having the children speaking in their native tongue makes perfect sense, especially because Boyle and Beaufoy depicts the realism of the kids' lives.That's what incredible about this film. Boyle and Beaufoy do not shy away from showing the squalor of Bombay. These kids live in deplorable conditions amid the grime, sewers and trash dumps of the slums. And, yet, thanks of Boyle true ingenuity, he creates uplifting and even humorous moments in the slums. There is one moment - and I shan't spoil it for anyone, but you will know it when you see it - that very well might be my favorite film moment in the last five years.Boyle doesn't do a thing wrong here. From his choice of actors to the music to his choice of colors, Boyle works his magic.The performances are uniformly good. Irrfan Khan finds the right balance between a tormentor and a quasi-father figure as the police officer. There's young Dev Patel as Jamal, playing with confidence, bringing a wonderful swagger to his role, as well as a sense of fear that we completely understand. Freida Pinto as the love interest is superb. And, of course, there are the three young 'uns. Perfectly cast, they actually make the film work. Their performances as Jamal, Salim and Latika are so utterly convincing that they completely draw us into the picture and make the jobs of the older actors playing them much easier."Slumdog Millionaire" is, I suppose, a dramatic comedy at heart. But it is also much more. It is a film about friendship, gratitude, love, betrayal, poverty and hope. It makes you laugh, weep and cheer as you can't help but marvel at Boyle's sheer genius.The film moves along at a breakneck pace, yet none of the cinematic flair - and there is plenty - seems superfluous. Everything Boyle does, including the Bollywood touches, makes sense. There's such a brilliantly kinetic energy to this film that it is impossible not to be enthralled by it.What Boyle has done is truly miraculous. He has turned a film about street life in Bombay into a visceral, genuine crowd-pleaser. And you will walk out of the movie theater feeling inspired and hopeful, knowing you've just seen something very special."Slumdog Millionaire" is not to be missed. It is the best movie of the year. And it is, without any doubt, one of the ten best films of the decade.
The little movie that will wow audiences this year. (by RPaleja)
There has already been some talk coming from Telluride that this film is set to be this year's 'Juno.' It does have the same distributor and it is set for the same release period, and for anyone who hears this buzz, they will definitely not be disappointed.During the premiere of the final cut in the words of director Danny Boyle at the Toronto International Film Festival, the audience gave the film an incredibly enthusiastic response, and it went on to win the People's Choice Award. Boyle, who is somewhat like a British Richard Linklater for yet again surprising the audience <more>
with such diverse subject matter, worked his magic. He transcended genres and created a truly unique and energetic picture.Just about every aspect of this film deserves merit, and above all it belongs to Boyle, who managed to assemble such a massive achievement. The score by A.R. Rahman, with contributions from M.I.A., perfectly accompanies the action on screen. Still, it is great enough to be listened to on its own. With India as a backdrop, Boyle and his cinematographer have composed some remarkable images. The acting is roundly impressive, especially coming from the younger cast, almost all of which has never acted before.The film begins as Jamal Skins' Dev Patel is under interrogation by Mumbai police for cheating on India's version of Who Wants To Be a Millionaire, being only one question away from winning it all. As the inspector says, even doctors and lawyers cannot come close to the 20m rupee prize, and so Jamal, having grown up on the streets of Mumbai, cannot possibly know these things. As Jamal tries to avoid further torture, he begins to explain to the police how he knew each of the answers. Flashbacks present Jamal's boyhood and explain how he got to the show.At the centre of his journey is his brother, Salim, and a girl, Latika, who is left a homeless orphan after an attack that took Jamal's mother as well. After running from a man who exploits the trio for labour, Jamal replays the incident when Latika left his life when she was unable to catch a moving train. His uncertainty of her fate on the streets of Mumbai and his intense desire to see his first and only love again lead him to the interrogation room where the film began.Like 'Juno,' Slumdog Millionaire is by genre a comedic drama, but it becomes much more. The film asks questions about fate, righteousness, greed, and even urban sprawl. Above all, however, it asks about love in the face of the most dire obstacles, and if it can truly prosper. Jamal's story is a tragic and unfortunate one, but as seen through his eyes, it is still beautiful. The vast colour palate of India overwhelm any negative feelings, and Jamal's hope of finding and being with Latika overwhelm despair. For Jamal, 20m rupees isn't his prize. It would be nearly impossible for there to be a better picture this year.
A crowd-pleasing masterpiece? (by ametaphysicalshark)
The editing, digital cinematography, and Danny Boyle's direction with co-director Loveleen Tandan create a fascinating aesthetic which is perfect for the material. However, barely anyone among the vast minority of people and critics who didn't care for this massively acclaimed film is complaining about the film's technical virtues however, so how about all that contrived, sappy melodrama? To my surprise, "Slumdog Millionaire" is very tasteful in almost every respect. The romance scenes are either beautifully understated most of the scenes with them as children/young <more>
teenagers, and a couple after that or fantasy melodrama like much of the stuff near the end of the film although the actual final pre-credit shot itself is again, a tender and beautiful moment . I have no issues with the fantasy melodrama however, because most of the film is done in that tone. Even the very realistic and brutally true-to-life scenes involving the raids of Muslim sections of the slums by Hindus, and the luring of children to a life of begging on the streets for gangsters and criminals in exchange for accommodation and food are done in a manner that is both tastefully evocative of reality while fitting in tone with much of the rest of the film, which has a more hopeful tone. It sounds improbable, but that's what the screenwriter and director s achieve here. The film doesn't strive for 'gritty realism', but everything in the film yes, everything is perfectly evocative of reality. The trouble with 'gritty realism' is that it often is gritty and hopeless in a way life rarely is to most of us, and is actually laughable if done wrong. Jamal's flashbacks to the begging end in misery, but before that we get the happiness and relief of slum life that these children felt. The raid is unrelentingly horrifying, but it is a haunting memory rather than something the film dwells on without stopping. The film also gives us scenes of comedic escapism which are still within the realm of plausibility as well. If you don't know the general plot by now, here it is: Jamal is a boy from the slums of Mumbai who has reached the final question on "Who Wants to be a Millionaire" against all odds. The film, through a plot device I won't reveal even though it's only a mild spoiler, reveals the sources of Jamal's knowledge of the answers to each question except for the ones he doesn't know and guesses at/uses the lifelines for through flashbacks to him throughout his childhood and teenage years. Here enter the accusations of the film's supposedly 'hilarious', 'impossible', and 'dumb' contrivances. There's no way a chai wala knows the answers to those questions, and it's too convenient that he happens to have experienced something suitable for all those answers. I beg to differ. With a life like Jamal's which is, believe it or not, being led right now by many children in India I should hope that he gained at least that much knowledge. He didn't actually know the answers to every question, and on a game of both luck and knowledge it's entirely plausible to me that Jamal's game could actually happen. The only huge contrivance is the nature of the very last question and what happens when it's asked, but by then the movie had me in its grasp and the ploy worked. The fact that every member of the cast is absolutely excellent, including the child actors, doesn't hurt either. It sounds odd, but "Slumdog Millionaire" seemed to me like it found a way to combine a realist look at India and, according to the Indian person with whom I attended the film, it is absolutely spot-on in almost every regard, and certainly doesn't contradict anything I saw during my short visit to India and a romantic melodrama. The end result, with the screenplay that combines the drama, comedy, and thriller genres to great effect, is both an aesthetic triumph, and unlikely as it sounds, a crowd-pleasing masterpiece. Also, the music is brilliant, both the original score by the legendary A.R. Rahman and the excellent choices made when it comes to the pop music included in the film though that is to be expected from a Danny Boyle film . As for those moaning about the love story, perhaps you have not found that person yet, get back to me when you do.
"Slumdog" beautifully bridges life in India and Western film (by Movie_Muse_Reviews)
It doesn't seem like a stretch to suggest that America might now be ready to embrace films in the style of India's Bollywood films. While "Slumdog Millionaire" is far from a Bollywood tragic love story filled with singing and dancing, the way director Danny Boyle will rivet audiences with his film that is authentic to Indian culture while using a distinctly Western style of film-making might be enough proof that there is a profit to be made here."Slumdog Millionaire" is a drama exposing the tragic effects of poverty in gigantic Indian cities like Mumbai that is <more>
also fused with a modern day Indian fairytale. Jamal Malik is a young man on India's "Who Wants to Be A Millionaire" and is a question away from one million dollars when he's arrested on suspicion of cheating. Because Jamal is from the slums of India and has no educational background, it seems entirely improbable if not impossible that Jamal could make it this far, but each question is connected with distinct and sometimes painful memories for Jamal. It's as if he is destined to win, even though he only went on the show to impress a girl he has loved his whole life, Latika.Danny Boyle "28 Days Later," "Sunshine" takes us from memory to memory as Jamal advances question by question toward the million dollars. These memories offer vivid insight into poverty in India as well as the lives of Jamal, Latika and Jamal's older brother Salim. As children they are left parentless and taught how to swindle tourists, leading to lives of little fulfillment or even corruption. Despite being separated, Jamal and Latika are reunited several times and in fact Jamal's only motivation in life is his love for her.While the young, unknown, Indian actors are absolutely amazing in this film, the biggest kudos go to director Boyle, who creates an astonishing film. For Boyle to go from science fiction and zombie thrillers to taking on a project as daring and unusual as "Slumdog Millionaire" proves that he's not only a brave director, but a versatile one. His great success with making this film intense, eye-opening and full of heart all at the same time prove that he's also an incredible one. "Slumdog" is just the beginning for Boyle who might be one of the most progressive and talented directors working today.It's hard to be completely blown away by a film whose core message is about destiny and leans on the fact that Jamal is simply fated to do this well in explaining what has unfolded, but like any good film ought to, Boyle makes you a fan of the characters and not care as much about the logistics as you might normally do. The fact that this film starts out so dramatic and real makes it hard to embrace the fairytale it blossoms into, but it's the great visual storytelling along the way that makes it so enjoyable. ~Steven CVisit my site at http://moviemusereviews.com/
This is an extraordinary film. From the original concept of the novel on which it is based Q&A by Vikas Swarup , the screenplay by Simon Beaufoy Full Monty but especially the masterful creation and direction of the film by Danny Boyle. From the opening moments until the final scene, the audience was fully engaged. I was completely lost in the world that Danny Boyle created. This is not a story that has been told and retold, hashed and rehashed. It is fresh and engaging - all at once quickly moving, romantic, violent, culturally insightful, desperate and slightly fantastic. There are <more>
some comic elements to the film but to describe it as a "comedy" seems inappropriate. The film was shot on location in India, mostly in Mumbai. Slumdog Millionaire is yet another testament to depth and range of Boyle's artistic talent who has directed such diverse films as Shallow Grave, Trainspotting, 28 Days Later and Sunshine.I saw the film on at the 2008 Telluride Film Festival as a "sneak preview." The film was introduced by Boyle who said that the official opening of the film would be the next weekend at the Toronto Film Festival. He also said that there may be some final tweaking of the film prior to Toronto.In the discussion after the film Boyle strongly recommended three Indian made films: Satya, Company and Black Friday. He described each as superb. Boyle also stated that a portion of the Slumdog Millionaire was shot with a Canon EOS still camera, especially around the Taj Mahal, rather than a proper movie camera which creates unwanted attention while filming at popular tourist locations in India.8.2
Deserved The Oscar For Cinematography (by ccthemovieman-1)
I thought the best part of this movie was the photography. Check this film out on Blu-Ray, if you have the opportunity: it's magnificent-looking. They even make slums look beautiful! I'm glad it won the Oscar for cinematography. Scene after scene is gorgeous.Story-wise, it's okay; good, but nothing super. For the first half of the film, it reminded me of "City Of God," about the homeless kids in Brazil, but that film had far more violent kids. This one mainly had kids as pranksters and then victims of some sicko adult who wants to use them to make money.The story will be <more>
fun for those who used to be hooked on the "Who Wants To Be A Millionaire" quiz show, but the host here in this Indian version is no lovable Regis Philbin. You won't like him.Almost all of the story is told in flashback, so be prepared for that. It's one of those stories where all the little pieces fit together in the end to explain why things happened in the start of the film.I wouldn't have voted for this as the Best Picture Of The Year but it is entertaining and a feast for the eyes.
Must Be One of The Best of 2008 Film (by Grissom66)
Today is the biggest day in Jamal Malik's life.A penniless, eighteen year-old orphan from the slums of Mumbai, he's one question away from winning a staggering 20 million rupees on India's "Who Wants To Be A Millionaire?" But when the show breaks for the night, suddenly, he is arrested on suspicion of cheating. After all, how could an uneducated street kid possibly know so much? Determined to get to the bottom of Jamal's story, the jaded Police Inspector spends the night probing Jamal's incredible past, from his riveting tales of the slums where he and his <more>
brother Salim survived by their wits to his hair-raising encounters with local gangs to his heartbreak over Latika, the unforgettable girl he loved and lost.Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really doing on the game show? When the new day dawns and Jamal returns to answer the final question, the Inspector and sixty million viewers are about to find out Freida Pinto Reappears. Slumdog Millionaire 8/10